The Musical Musical: A Chorus Line is a musical about an assortment of dancers at various stages of their career trajectories - some just starting out, some already on the decline - auditioning for the chorus line in a Broadway musical. Tricia: Touring company. Get the Android app. From "I Hope I Get It" is used to underscore some of the more emotionally powerful moments in the characters' monologues. Ultimately, neither of them are chosen for the final eight. Boys: How could I do a thing like...? And number Twenty-three, upstage. Number sixty-three downstage. Third group of boys. Ohhhhh It's a long, long rope they use to hang you soon I hope And I wonder why this hasn't happened Why, why, why And I think about the dirt that I'll be wearing for a shirt And I hope that I get old before I die. Bebe was told by her mother that she would look "different" when she grew up, which even then she knew was a euphemism for "ugly", and although this made her resent her mother, she admits that she's not conventionally always said I'd be very attractive when I grew up, when I grew up. Okay, let me see the boys, the whole group. Uncanny Valley: Invoked in the film when Zach grabs Cassie to show her what she's auditioning for, as the other dancers are now mechanical, grinning automatons. In the end, eight are chosen.
- God i hope i get it song
- I hope i get it lyricis.fr
- I hope i get it lyrics a chorus line
- I hope i get it lyrics collection
God I Hope I Get It Song
ZACH: Step, kick, kick, leap, kick,! Okay, I'm eliminating down. What Measure Is a Mook? However, the dialogue ties it very firmly to the 1970s, when Broadway was at a low ebb (a brief exchange in the lead-in to "What I Did for Love" sees some of the characters discussing the "Broadway is dying" naysaying that was going on at the time). God, I hope I get it! The dancers who are cut near the end of "I Hope I Get It" are named in the script, but not in the dialogue. In the 1970's, this was apparently plausible (not least as the surgery would pay for itself with the jobs it enabled the patient to get). It's a shame that one day they'll have to stop doing the only thing they know how to do, and what they love, because their bodies won't be able to handle it anymore. Zach comes out of pantomime.
Paul was based not on his original actor, Sammy Williams, but on co-author Nicholas Dante, a Puerto Rican (born Conrado Morales) with an Italian stage name who also performed in a drag revue and felt a whirlwind of conflicting emotions when his family found out and his father still referred to him as "my son". Was Camp Gay (borderline Drag Queen) in the original musical, as played by Ronald Dennis, and turned into a straight guy, as played by Gregg Burge, in the 1985 film (singing about having sex with a girl in a graveyard in "Surprise, Surprise") (singing) Imagine me this kindergarten teacher? Songs That Interpolate I Hope I Get It. All Musicals Are Adaptations: One of the few aversions: the story and songs were completely new. In high school productions, the number is redubbed "This and That. Sheila: I knew it when I was in the front. Adaptation Expansion: "Nothing" was originally a part of "Hello Twelve, Hello Thirteen".
I Hope I Get It Lyricis.Fr
After one of them faces a possible career-ending injury, everyone confronts the question: what does it mean to them? Extremely Short Timespan: The play lasts roughly two hours (with no intermission) and, apart from the reprise of "One" (which is implied to be set several months later), covers the events of a similar amount of time. A Chorus Line - I Hope I Get It Songtext. Boys and girls together. Mike: What happens now?
In the film, they grin and chuckle knowingly, especially the 30 year old Sheila. They complete the combination. When they finish, the third group of girls takes position. Dysfunction Junction: Aside from the fact that they've chosen a job which by its very nature means they have all experienced unemployment, poverty, rejection and possibly injury, many of the dancers have traumatic backstories, including absent, estranged or disapproving parents, homophobia, sexual molestation, the death of family members, and bullying. Tempo of the track in beats per minute. A Chorus Line The Musical Lyrics. Camp Gay: Greg and Paul are openly gay. While holding the chord on "show", the line walks downstage to "line". Clear off the kitchen table darling For on the kitchen table I must lie I'm just tired for my wife Served the banquet of my life And I hope that I get old before I die. Zach and Larry, the director and dance coach, also play a role, although the story is about the seventeen dancers. Larry (last chord vamp), Collect their pictures and resumes, please. Step, push, step, step, strong arms! Flashback: The film adaptation expands the subplot of Zach and Cassie's failed relationship with flashbacks to both the happier times, when they were living together and Cassie's star was on the rise, and the sadder times, when their diverging careers caused them to spend more time apart until finally Cassie had enough and left. Tracks are rarely above -4 db and usually are around -4 to -9 db.
I Hope I Get It Lyrics A Chorus Line
Refrain from Assuming: Val's number was originally called 'Tits and Ass, ' but was re-titled after the first line in the song to keep audiences from getting the joke. Believing his parents would be ashamed of him, he avoided telling them until they unexpectedly showed up at a performance to drop off his luggage for a tour - and was left even more conflicted when he still heard his father tell the producer, "Take care of my son. However, once they're down to seventeen, Zach makes a surprising request: he asks the dancers to tell their names, ages, and a little bit of their Backstory— where they come from and why they dance. Number two, number nine, number ten, number twenty-three, Judy Turner? ", the "cattle call" audition is already well under way by the time the opening Minsky Pickup cues the stage lights; the steps we see them rehearsing ("step-kick-kick-leap-kick-touch") are ultimately revealed to be roughly three-fourths of the way through the jazz combination. Wholesome Crossdresser: Paul was forced into doing drag to get any sort of work after dropping out of high school.
Everyone else clear the stage. Al and Butch both make different mistakes. Mike's confidence was based on his original actor, Wayne Cilento, while the story of "I Can Do That" was based on Sammy Williams, the original Paul. A measure on how popular the track is on Spotify. Worth It: "What I Did for Love" sees Diana, followed by the other dancers, declaring that all the struggle and strife they've gone through trying to make it as dancers was worth it, as dancing is what they love (and they'd rather not face the question of what will happen when they're no longer able to dance). How many people does h eneed? Still it isn't over. Baby Don't Got Back: In "Dance 10, Looks 3", Val sings about how she auditioned well but kept losing roles to dancers with more assets. ", include some talented singers who have to pretend to be unable to carry a tune in a bucket, and tend to speak-sing or warble between being in and out of tune in a way no genuinely tone deaf singer would do. Next Group: And... (Second group begins the combination. Old Maid: Exaggerated.
I Hope I Get It Lyrics Collection
Speaking) Okay, first group. 2006 Broadway Revival. I need this job, Oh God, I need this show. Please god, I need this job. Sheila misses a turn and tries to get back into the combination. Note Some productions, particularly Broadway revivals, run with this and explicitly identify the setting as 1975, while others try to impose a Setting Update. The fact he exchanges flirtatious glances with Greg (who openly admits to being gay and even tells his Coming-Out Story) and wears [ahem] revealing tights add to the hinting. Lyrics © Kobalt Music Publishing Ltd. Bury Your Gays: While he doesn't die, the one character in the show who cannot be cast due to injury (Paul) happens to injure himself almost immediately after his big monologue about growing up gay. Growing Up Sucks: - "At the Ballet" sees Sheila, Maggie, and Bebe singing about how they realised, even as children, that adult life would be full of hardship and heartbreak, and the only refuge they found from both their own troubles and the troubles their parents either suffered or created for others was... well, the clue is in the title.
I knew he liked me all the... What's coming next? Shaped Like Itself: From "One":"She walks into a room and you know she's uncommonly rare, very unique. Big Finale Crowd Song: Towards the end, every one of the tryout dancers, even the ones rejected at the beginning, come onstage in full costume and perform the full version of "One", the dance number they were all learning at the beginning. Award-Bait Song: From the film adaptation, "Surprise, Surprise", which many fans of the musical despised because it cut out "Hello Twelve, Hello Thirteen", with some really dumb lyrics. Fanservice: Justified since they're all actual dancers, and the clothing they wear is what real dancers wear for practices, but the entire cast spends the vast majority of the play walking around in their practice uniforms, which means form-fitting tights (for the boys) and leotards (for the girls). Compositores: MARVIN HAMLISCH, EDWARD LAWRENCE KLEBAN. It could be yes, it could be no, [A FEW VOICES].
Bittersweet Ending: It's between this and a Downer Ending — one of the dancers suffers a likely Career-Ending Injury and only half the cast make the cut. From "Hello Twelve, Hello Thirteen, Hello Love": - Adaptation Dye-Job: At least three characters who are usually played by brunettes or redheads became bleached blondes in the film. The chorus line of a musical are anonymous, less-skilled dancers who are generally there for the money. Available at a discount in the digital sheet music collection: |.
Find more lyrics at ※. Musical World Hypotheses: Although the setting backstage at the auditions for the chorus line of a Broadway musical might seem to lend itself to mostly diegetic music, "One" is the only diegetic number, with the other songs falling under either Alternate Universe or All In Their Heads. The group marks the combination in various degrees. If there's a point to it all. Zach talks to Butch. Embarrassing Nickname: During the montage, Mike recalls that he was stuck with the nickname "Stinky" for three years at school after a single incident in which he broke wind in front of his classmates. Movie Bonus Song: "Surprise, Surprise" (Academy Award nominated) replaced "Hello Twelve, Hello Thirteen, Hello Love" and the montage, while "Let Me Dance for You" replaced "The Music and the Mirror". TRICIA: I really need this job. Diana was based on her original actress, Priscilla Lopez, a High School of Performing Arts alumna who struggled with a tyrannical acting teacher. Hold it, hold it, stop! Nicole also appeared in All That Jazz.