By original composer George Duning. All rights reserved. The final scenes in this sequence begin with Bronson becoming exasperated with one farmer with a rifle who keeps missing his target because he "gets excited. " Bernstein ends the main title sequence with a rousing reprise of the Seven theme. I couldn't begin to address them all here, but I do recommend these three films and film scores: - The Tin Star (1957). The passionate tumble on the sand over, the music subsides, and there is only the sound of the soft lapping of the surf. The story is about the convergence of three parties interested in intercepting a whiskey shipment wagon train: a Cavalry-escorted temperance group, a Denver citizens militia needing booze for the winter, and a band of Sioux Indians. Folk Music- Western and Mexican. Lee Krieger … Cast, Haynes.
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He was also on the board of the Academy of Motion Picture Arts and Sciences for several years, and he was recognized by the Society for the Preservation of Film Music with its annual award in 1995. Of episodes 112 (List of episodes). In those days, you could take all the pay home, and I wound up finally on the road with dance bands. The Cavalry theme follows and is appropriately regal and grand, which segues into the Great Plains music--as beautiful and majestic a piece of music as Elmer ever composed (in 5/4 time signature to boot). The scene, one of the most vivid examples of sexual symbolism in the cinema, from Fred Zinnemann's From Here To Eternity (1953), is considerably enhanced by the score of composer-arranger George Duning, who has died aged 92. But changes were coming from Jerome Moross and Elmer Bernstein that would turn this trend on its head. As a piccolo and flute weave an ascending melody, McQueen becomes distracted by the village women nearby, who move rhythmically as they scrub clothes against river rocks. With Chris and Vin's silent affirmation, Chico, once a farmer himself, rides back to Petra, and Brynner and McQueen ride off to Elmer's boisterous ending fanfare. In 1962, following Stoloff's departure to Frank Sinatra's Reprise Records, Duning left Columbia and became a free-lancer. I highly recommend the CD soundtrack.
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She warns him that her other son Jarrod will defend his brothers by any means necessary, but is disturbed to learn that Jess, another man in the posse and a witness, has died of his injuries. Readying for Battle. Is chock full of instantly memorable tunes. When he returned to civilian life in 1944, he signed with Columbia Pictures as an arranger and orchestrator. What sort of musical underscoring did the producers of the series want from you? An interview with George Duning by Randall D. Larson. Campbell insists that he wants to teach his son the ropes before his retirement. Names and Subjects Return to Top. And for Elmer Bernstein fans, we only had to hear the opening notes of the score to know that no other composer of the time could have written it. As the cowboys sit down to dinner, a young village woman, Petra (Rosenda Monteros), serves each of them, favoring Chico (Horst Buchholz) and ignoring a comically hungry Vin (Steve McQueen). Bernstein brings everything to the table for this social satire with a moral lesson about the evils of slavery and greed: good action cues, great theme song, fun comedic music. The guitar theme continues until the slow dissolve to the following day, where McQueen and Britt (James Coburn) are teaching the farmers how to fire the weapons they've taken from Calvera's downed men. John McMurtry … Cast, Luke Stryder. Only Human (End Title).
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Theme (From "The Big Valley") is. Composition Assignments From Cincinati Conservatory- by George Duning. Four Star Television. The tune pays tribute to Katie, whom we never actually see in the film, but whose presence is felt throughout (partly through her Bible and favorite rocking chair). Production company(s). More from Wikipedia.... His home state declared him Indiana Composer of the Year in 1993. What sort of music did you provide for this series, and what were the differences between working on it and STAR TREK? When Campbell insists, they overpower him and state that he is no longer in charge, and Seth Jr. runs for help. That was one of the early ones where I tried experiments of that type. But the music for this film is as rich a musical canvass as Elmer Bernstein ever painted. The overture concludes with the Temperance Marchers' call to action, "Stand Up, We'll March to Denver" ending with a suspended-to-resolved chord finale.
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James Whitmore … Cast, Marshal Seth Campbell. And, by the way, the film is also a modern classic. I had the opportunity to interview George Duning in January, 1983, while conducting research for my book, ' Musique Fantastic: A Survey of Music in the Fantastic Cinema'. This song is sung by geoff love. Do you find that you're able to experiment more in a fantasy type of film as opposed to a contemporary drama? I'd done psychological dramas, love stories, comedies, Westerns. But by the Forties and early Fifties, composers like Dimitri Tiompkin, apparently in cahoots with the studio marketing departments, started integrating western vocal songs into their scores, sung over the opening and end credits, and sometimes during the film. The Sons of Katie Elder (1965). When Duning mustered out in 1946, Morris Stoloff was quick to hire him to his staff at Columbia. Then when Rosalind Russell went into the dream sequences, I would use mixtures of high strings and vibraphones, different types of cymbals, shimmers, and things like that to convey the feeling that the mind was in another strata. In this episode, the Stryder brothers break their sibling Floyd out of prison, seriously injuring the sheriff and the deputy in the process. TV - Commercials - Dial soap. Kay Kyser's Greatest Hits- Memos and Notes. Among his film background scores are titles such as "From Here to Eternity, " "Miss Sadie Thompson, " "Salome, " "Picnic, " "The Eddy Duchin Story, " "Bell Book and Candle, " "Toys in the Attic, " "Strangers When We Meet, " and others.
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And of course the performance and digital recording are superb. You know, trips to the moon and rockets! A chiming celesta rings out the notes of the celebratory string melody, accentuating the heroism of the seven hired gunmen. The Magnificent Seven (1960). SUBJECT HEADING: Drama, western. Use of the Collection Return to Top.
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2, was released in the year 2007. Score for From Here to Eternity (with Morris Stoloff). On a lighter note, anyone familiar with Pixar's delightful animated film, A Bug's Life (1998), will instantly recognize the story as a retelling of The Magnificent Seven, only with an ant colony and a rag-tag bunch of circus performer insects. It was created by A. I. Bezzerides and Louis F. Edelman. That was my favorite. After helping to re-invent the modern Western film score, Bernstein went on to compose music for many more films in the genre, particularly through the 60s and early 70s--and there are many exceptional works. Oriental and Indian Music. Shot in Ultra Panavision, The Hallelujah Trail is a spoof of the American Western, and should have been a good entertainment; it had John Sturges in the director's seat, a roster of good actors (Burt Lancaster, Lee Remick, and Donald Pleasence), spectacular cinematography featuring breathtaking New Mexico landscapes, and of course Elmer's wonderfully majestic music.
The TV series was based loosely on the Hill Ranch located at the western edge of Calaveras County, not far from Stockton (one episode places the Barkley Ranch a few hours ride from town while another has Jarrod riding past a Calaveras County sign on his way to the TV series' ranch). Conductors -- United States -- 20th century. Frequently asked questions about this recording. Interestingly, it is this theme that literally parallels the tempo of much of the film; it's slow and lyrical--more of a horse trot than a full gallop. With western expansion came cattle towns, mining towns, and rural farming communities, where gambling, gun fighting, cattle rustling, and bank robbery were pervasive. Access Restrictions. "A Girl is to Love". The Bb major broken triad over an Ab major chord articulates peace and a new beginning for the farmers. ASCAP Film Scoring Workshop Cassettes. EB and lyricist Don Black do an admirable job of composing a Jimmy Webb-sounding pop song for Glenn Campbell to sing over the opening credits (the single hit #9 on the American country charts). Terry Moore was the girl, and she was very young on the Columbia lot at that time. Much like her mother, Audra was no wallflower, she was bold and full of life and was often involved in daring stunts and did not ride side-saddle. Original run September 15, 1965 – May 19, 1969. Only the Farmers Have Won.