A pretty good pairing, both are scrubby and focus on a restrained kinetic violence, a sort of response to modernity that makes me think of Tati movies. Not bad by any stretch but he can be so much better. To round it off there's a framed front page of the New York Times from December 31, 1999. Click any word from sentences to quickly get its definition... View. Ruin in the kitchen: BURN.
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Joseph Kusendila - La Loutre - Essex Street - ***. KIRAC Episode 25, Male Love. In some cases you can use "Design" instead a noun "Creation". Pleasant enough, and I prefer it to Ilya Bolotowsky, but they're still not a lot more than formal exercises. "100 Famous Books In Typography" - The Grolier Club - ****.
Materially it's funny too, painted on drywall with fancy little stands. I keep thinking about Pollock stating that "easel painting is dead, mural painting is the future" at some point before he came up with his drip painting. I like nature as much as anyone, but the natural can become a dangerous proposition for artists when you lean too hard into letting nature speak for itself and it ends up doing all the heavy lifting for you. The title "SCULPTURE" for a painting show sets the tone rather clearly, and the paintings themselves follow through: a potato wearing sunglasses, Francis Bacon imitations with pieces of bacon instead of figures, a wrapped bust "of Steve Jobs" that reminds me of de Chirico, some very long titles of paintings about 5G towers and crucifixions that people seemed to like, a farmer feeding an eggplant to donkeys (? But the invention of a style is also more interesting than the appropriation of one. Listen buddy, I've got a Dan you can Flavin right here... Paul McCarthy and the Negative Sublime, Paul McCarthy @ Hauser & Wirth. Piece of artistic handiwork crossword clue today. It's kind of like a less toxic masculinity version of Richard Serra, but I mean duh, it's steel. I wasn't going to go to this but I ended up here by accident while looking for the gallery's other show.
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And god, those yellow walls... Israel Aten, Tony Hope, Michael Pybus, Mike Shultis, Joel-Peter Witkin - In Absentia X: Property from a Private Collection - Ashes/Ashes - *. Piece of artistic handiwork crossword clue crossword clue. Having a refined practice of fucking with a scanner doesn't mean the work becomes any more interesting than fucking with a scanner, i. something that looks cool when you're a stoned undergrad that you're supposed to grow out of. I can't tell if my favorite or least favorite is the one of the shadow of carriage wheels; it stands apart from the rest because it borders on amateur coffee shop photography in opposition to the unambiguous hipness of everything else. The neck and arm holes seem to only become compositional elements out of the physical necessity of them being visible relative to the size of the canvasses, so I guess it's a half-baked idea that he ran with because flowers in splattered paint wasn't interesting enough, which makes sense because they're distributed randomly with such precision that they're almost invisible. The audio pieces on the site really drive it home; you have to spiritualize terms like resistance, or hope, or change to cling to your sense of self-importance when you don't have any political convictions outside of an entitled desire to preserve the status quo.
Jessi Reaves - At the well - Bridget Donahue - ****. A sign or indication of a quality or characteristic. Edgelord art is, in spite of itself, the mean-spirited cousin of Institutional Critique in that both methodologies end up being more "about" art than actually "being" art. Showing drawings as complete works is somewhat aggressive, and demanding in a weird way. Cartoon figurations with an African bent that feel like the middle ground between Matisse's cut-outs and Keith Haring. Michael Smith's drawings and his video of senior citizens getting tattoos stand out, as do Mieko's Coke can Christmas trees, but the whole thing is just cozy. It seems to connect with this aspiration for one's work to be the world, and the question of what exactly that sentiment means. Piece of artistic handiwork crossword clue printable. And Allen is more clever, a Frank Stella with a paint ass-print on it feels like someone laughing at their own bad joke. Quite nice, delicate, hard to categorize paintings: quietly coloristic, sort of cubist in their concern with shapes but mostly flat, some remind me a bit of Klee's compositional freedom, but they're hazier and without his sparse cartooning. Anthony Akinbola, Eddie R. Aparicio, Dawn Williams Boyd, Diedrick Brackens, Tuesday Smillie, Tomashi Jackson, Genesis Jerez, Basil Kincaid, Eric N. Mack, Sojourner Truth Parsons, Qualeasha Wood, Zadie Xa - The New Bend - Hauser & Wirth - *. The seeming inexhaustibility of imagery and his subtle range, based in technical application rather than a musical chairs of appropriated styles, prove the mastery of nuance in his working idiom. Max Ernst - Collages - Kasmin - ***. Jay Chung and Q Takeki Maeda - Bad Driver - Essex Street - *. Jensen really knows how to use rainbows and singlehandedly carries the show, Bartlett's dots are aimless and slight, and Judd is Judd.
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Maria Lassnig - The Paris Years, 1960-68 - Petzel - ****. The new furniture works made of dichroic glass are similarly nice to look at, but just as the appeal of the photographs lies in the work of the ad photographers and bodies of models she's appropriating, dichroic glass looks cool no matter what you do with it. It's as though her rage, which is surely very real, is being channeled into some kind of pictorial inventiveness that's potent as a spectacle even if you can't agree with its sentiments. Architects are just graphic designers writ large, more grandiose and even more objectionable.
The show is mostly a bunch of polished sticks. Most of it is anime skeleton girls. Jesus Christ, shut the fuck up. Art has flourished in Virginia from the handicraft of the early days to the plastic sculpturing of the present. Include Synonyms Include Dead terms. Consequentially the best pieces are the densest, the sparser ones feel like Matisse's cut-outs without his pictorial acuity. Breakfast grain: OAT. TEE TH GRINDING - Questionable practice of remaking golf pedestals OR a problem requiring this. Take for instance Barry X Ball, who's competent but garish and not very compelling, especially in this company, in spite of the superficial connection between the two artists. Unlike most shows I don't like, the work isn't stupid and takes a fair amount of contemplation to grasp, even if ultimately it fails in what it attempts. Nicolas Ceccaldi - Animal Fiction - Greene Naftali - **. This isn't bad, of course, it's just to say that his work is good, pleasurable, tasteful, clever, and completely unconcerned with the avant-garde, the conceptual, the devastating, and the sublime. And sure, I get it; the white lights are a "subtle incursion, " the green lights "wash" the space.
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"Recontextualization" is a blanket term for artistic evasiveness, the plausible deniability that something profound happens by virtue of sculptures almost looking like slats or blinds, or putting a ruler behind an outlet's wall plate. Yuji Agematsu - Times Square Times (Kodak All-Stars) - Miguel Abreu - ****. I'm sure the technology used was complicated in a way that earnestly interests the artist, but from my perspective it seems like a silly waste of effort. Barney's wrestling satyrs are dull and only vaguely related to the theme because he's a gym fetishist, and Tanaka's ephemera is difficult to parse as art in the gallery space, although I do like his distressed kimono. A field of reeds at sunset. I don't think I get the perspective of the era he came from. Anti-curation is good when it's an active decision, not when you just don't have any ideas. A press release about Six Feet Under, one-note ceramics of bug locks, kind of like Chloe Wise's food sculptures, but they're not even a joke here, they're just twee and unattractive. The aluminum relief pieces overwhelm any content the images might have by their overt technicality, but they aren't bad either. This is in that vein, but here the artist's art historicality ends up feeling constricted and overly domestic.
Does invention mean creation? Windows, animals, the ocean, and phone apps are all within the same comfortably domestic range which lacks the sense of surprising juxtaposition of actual randomness, although they're less tightly delineated than a lot of painters these days who operate in a self-imposed cage of absolute consistency to maintain their branding. The obvious comparison is Monet's water lilies, which is too obvious on one level but totally spot on on a few more. The popularity of the show makes it clear that heavily featuring some dumb meme game and Instagram serve less to stage a critique and more to build a fanbase out of lobotomized people who think they're experiencing art because an Instagram feed is familiar to them. Michel Auder, Dodie Bellamy, Nayland Blake, Daniel Boccato, Jeremy Gilbert-Rolfe, Liam Gillick, Dan Graham, Raymond Pettibon, Joanne Greenbaum, Chris Kraus, Leigh Ledare, Sylvère Lotringer, Servane Mary, Suzanne McClelland, John Miller, Jorge Pardo, Alix Pearlstein, George Porcari, Aura Rosenberg, Lynne Tillman - Mise En Scène - Shoot The Lobster - N/A. To put it another way, regarding the ginkgo leaves: everyone agrees the yellow leaves of a ginkgo tree are beautiful, but how does pasting a bunch of those leaves on a canvas modify or otherwise engage with the natural beauty of a ginkgo tree except in the sense of a derivative reference to something more beautiful than the art I'm looking at? I mean really, I googled "joanne robertson paintings" to make sure that my observation wasn't off-base and the results were riddled with pictures of Mitchell's paintings for some reason. Devin Troy Strother - Smoking and Painting - Broadway - **. Aluf's paintings are like an unpolished Kandinsky/Miró/Suprematism impression, which is fortunate in my book because I tend to think that type of work suffers for its dedication to polish. It's a welcome effect because the artists are museum-tier but the works are too marginal for museum collections, so it becomes a rare opportunity to see minor work from artists whose minor work is worth seeing. What does she think intelligence agencies are? That's something that a student of music can discern semi-tangibly by reading the sheet music, because it's a language that other people speak.
That's called participating authentically in the history of art. Inasmuch that it's purely aesthetic it's also not doing anything outside of looking a certain way, like fashion, and that's why it's the kind of thing people like to vibe out on in a moodboard. Currin's subversion of the sublime beauty he could very easily paint if he only wanted to is in fact a truer use of his skill than a nostalgic classicism, because if he wanted to make a Titian it would read not only as hubris but out of step with the spirit of our time. The four-channel video piece seems like it might be sort of cool but I always feel like a three hour long video in a gallery is misusing the format: not enough content to make you stand there for three hours and not a profitable experience in the minute or two you spend watching it. From the photos online I thought I'd hate these because the composition reminds me of nothing so much as screwing around in MS Paint, but in person the colors and details work much better. I just wanted to shout out The Grolier Club, check it out if you're in the area. As is always the case with "alternative spaces" the room here is in competition with the art, and here the pizza shop setting creates a quaint, semi-ironic 90s retail setting. Paintings of clocks that read as clocks instead of paintings, trees that read as vaguely anthropomorphic, sleeping or dead, barrels in the ceiling that read as something you've never seen before. I like this a lot more than Yuskavage, but why?
Term of affection: SWEETS. I see nothing of comparative interest in Simpson's work, just Hauser dragging out old unsold work that they think will sell in the current market. The care that goes into the details and harmony of the objects lend a cabinet, a bed, a bulletin board, and a shower door distinct identities as opposed to the prefabricated anonymous sleekness of Ikea furniture. Anyway, I don't feel capable of summarizing the show, but the tire works are crazy and this is probably my favorite show I've seen so far this fall. Morandi's vases are less consistent, some are stunning but a few you could pass off as (good) hobbyist painting. Frame: "If the water were to be trusted to remain where it is, would there be any need for higher ground? Oh cool you printed a LP sleeve to look like a knockoff of what PAN was doing in 2010 and has aged terribly? But seriously, this is a much better staging than the Gagosian show that came down almost exactly a year ago. I wanted to check this out to see how all these LES artists feel when they're in Chelsea, and my verdict is I still don't really care about this nascent "movement. " Edward Hopper, Dike Blair - Gloucester - Karma - ***.