We will address these questions through interrogating both classic and contemporary philosophical texts. Eighteenth-Century British Poetry, from Dryden to Blake. Early kingdoms of medieval europe 36b answers today. The Bible is a foundational text for contemporary art, literature, and political discourse as well as a sacred text in some religious traditions. You will develop a respect for and understanding of form while gaining ease and joy in the fully realized expression of heightened language texts.
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ECS explores European literature, art, music, architecture, dance, and philosophy beyond and across the boundaries of single nations, languages, and historical periods, always in concert with the historical, political, and social realities that underpin and illuminate any art form. Texts may include Eliot's Middlemarch, Thackeray's Vanity Fair, Brontë's Villette, Gaskell's Mary Barton, Dickens' Bleak House, and Trollope's The Prime Minister. Examines diverse representations of masculinity and femininity in French texts today and in the past with special emphasis on historical and cultural aspects. Part I - The Rhetoric of Free Speech in Late Antiquity and the Early Middle Ages. Or is there something about literature that encourages heretical thinking? Is identity an illusion? Authors include: Wordsworth, Coleridge, Blake, Keats and Shelley. Nietzsche: An Introduction. It will explore the contradictory ways of understanding sexual behavior and relationships. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne.
Since Oral communication skills are the core of methodology and pedagogy for Italian 110, students will work on primary texts through dynamic and guided discussions, interpretative textual analysis, and different styles of presentations. Explores the basic concepts and theories of ethical philosophy. Topics include sumptuous fashion, class and gender distinctions in wardrobe, and the rise of department stores. Early kingdoms of medieval europe 36b answers.microsoft. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Environmental Film, Environmental Justice.
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Prerequisite: LING 100a is recommended but not required. Examines Pompeii and Herculaneum, buried by Vesuvius in 79 CE, using the ancient cities' art, architecture, and wall writings to understand the social, political, economic, and religious realities of Roman life on the Bay of Naples, especially in the first century CE. Jonathan Unglaub or Staff. Explores the writing of history in ancient Roman. Students may choose to do readings either in English translation or in Russian. Early kingdoms of medieval europe 36b answers.yahoo.com. This class studies the ideas behind revolutions, who creates them, and why. A systematic examination of the planning and implementation of Nazi Germany's 'Final Solution to the Jewish Question' and the Jewish and general responses to it.
A study of Romantic poetry, from love lyrics to ballads about the supernatural to philosophical meditations on self and soul. The Ottoman Empire: From Principality to Republic by way of Empire. Explores the ways in which writing has been conceptualized in social anthropology, linguistics and archaeology. We will look at how the poems, novellas, and essays of authors such as Joachim Du Bellay, Pierre de Ronsard, Marguerite de Navarre, Louise Labé, and Michel de Montaigne, the paintings and sculptures of artists like François Clouet and Francesco Primaticcio, and the buildings of architects like Philibert Delorme, were used to produce new forms of national and personal identity in the 16th century. Pompeii: Life in the Shadow of Vesuvius. Examines the relationship between gods and humans in literature and art from the Renaissance, exploring how classical gods and goddesses, as well as biblical figures of the divine, are represented by major European artists and authors. Our approach to this material will be comparative rather than strictly historical: we'll look at works written in different countries and different time periods within the period, grouped together by theme. Each major will plan a program in consultation with the undergraduate advising head. Reformation Europe (1400-1600). Survey of medieval history from the fall of Rome to the year 1000. A general course presenting the problems of philosophy, especially in the areas of metaphysics, epistemology, ethics, and social and political philosophy. Focuses on the changing relationship between the emerging modern state and its subjects. Asks how gendered institutions, behaviors, and representations have been configured in the past and function in the present, and also examines the ways in which gender and sexuality intersect with many other vectors of identity and circumstance in forming human affairs.
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Dante's Hell and Its Legacy. Key readings from Proust's A la recherche du temps perdu engage students in an interdisciplinary exploration of themes (imagination and disappointment, time and memory, jealousy and desire, everyday life and redemption through art) and the author's revolutionary writing techniques. Explores contemporary philosophical theories about the relationship between emotion and judgment. The survey takes a broad view of how human societies deploy images and objects to foster identities, lure into consumption, generate political propaganda, engage in ritual, render sacred propositions tangible, and chart the character of the cosmos. Topics include the nature of word meanings, categorization, compositionality, and plurals and mass terms. Also analysis of the influence of Japanese art from abroad, and the new 'objective' style, shaped in part by the invention of photography, will be a focus.
Culture of Consumption. And through a rational comprehension of role of Spirit (Geist) in thought and the world, we can see how they become inextricably bound together. This seminar examines archaeological and ethnographic understandings of the relationships between culture, space, and landscapes with a particular focus on the political and social dynamics of borderlands. Prerequisite: RUS 29b or RUS 40b with a grade of C- or higher, or the equivalent as determined by placement examination. Charles McClendon or Jonathan Unglaub. What does justice require of us in how we treat people from different social groups? This course draws on both historical and contemporary case studies to examine how science and medicine enter into our ideas about who we are as individuals and members of social groups (e. g., gender, race, ethnicity), understandings of health and illness, and ideals regarding what constitutes a good life, and a good death. Takes a critical look as how Hitler's Europe has been represented and misrepresented since its time by documentary and entertainment films of different countries beginning with Germany itself. Examines the major works of art produced in Italy in the sixteenth century. Open to Music majors and non-majors. Concentrates on how the texts, maps, and art of the palace fashion a global portrait of absolutism: the Sun King. This course inquires into concepts, literature, and phenomenology of many framings of masculinity.
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Revenge, Justice, and Reconciliation: Mass Atrocity Trials in the Long Shadow of Nazi Crimes. Introduction to the classical Jewish and Christian sources on same-sex love and on gender ambiguity and to a variety of current interpretations of them, to the evidence for same-sex love and gender fluidity among Jews and Christians through the centuries, and to current religious and public policy debates about same-sex love and gender identity and expression. Courses are taught by distinguished faculty from across the university at Brandeis but especially in the humanities. The Holocaust: The Destruction of European Jewry. Greek tragedy, Roman comedy, medieval drama, Italian humanism, Spanish Golden Age comedias, and French neoclassicism. Texts read in Hebrew with attention to grammar, poetic structure, and translation. This class will look at how forms of cultural expression--from architecture to sonnets and odes--were used to create a sense of national and personal identity in the French Renaissance. Introduces students to the study of visual, aural, and artistic media through an ethnographic lens. Explores social class, gender, and violence in seventeenth-century Spanish dramas that deal with seduction, cross-dressing, revolution, and wife-murder. Introduces students to some of the greatest works written in Europe during the Renaissance. An immersion in Woolf's astonishing body of writing.
Enrollment varies according to instructor. Philosophy of Perception. An analysis of the social and cultural dimensions of life in urban environments. Con-Artists, Anti-Semites, and Music Lovers: Modern German Fiction. Explores Irish poetry, fiction, drama, and film in English. Prerequisite: One course in philosophy or political theory. The Art of Vladimir Nabokov. How does this remarkable text work and what does it offer readers today? Film and the Holocaust. Scots had superseded Norse as the language of prestige on Orkney by the early 15th century. Gender, Ghettos, and the Geographies of Early Modern Jews.
Is art an elevated swindle? Why did the Vikings fear the Scottish? Politics on a Pedestal: Statues, Sculpture, Monuments. Jews in the World of Islam. A course on poetic authority: the poetry of authority and the authority of poetry.
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