—Focus group participant. Our holdings in ancient and Islamic art consist chiefly of small pieces- representations of human and animal figures fashioned in clay and bronze- along with ceramic and glass vessels. These findings provide a clear path forward in terms of product strategy. The question "What, for you, is the purpose of an audio guide in a museum exhibition? " January – February 1965. Throughout history, objects have served as symbols of spiritual and material power. Museum device with supplementary commentary see 5 across. Ancient and Antique Glass in the Queens College Art Collection. Using provocative stories told by those who have fought against injustice, this exhibition demonstrates the effectiveness of nonviolence to build justice, overcome oppression, and to prevent violence. "What is Asian American art? " A painter and sculptor of distinction, he exhibited widely and is represented in a number of public collections. State their credentials and area of expertise. REWOVEN: Innovative Fiber Art is an international collaboration between the Taiwanese American Arts Council, New York; the Kaohsiung Museum of Fine Arts, Taiwan; Queensborough Community College Art Gallery, CUNY; and the Godwin-Ternbach Museum at Queens College, CUNY. This exhibition celebrates the cultural diversity of the borough of Queens and the theme of music with work by artists from all over Queens, including paintings, prints, photographs, sculpture, and installations.
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For this group, the relationship between written and audio commentaries was extremely important. Groups with specific needs and learning styles also saw repetition as positive: - Foreign language speakers used it as a way to cross-check that they correctly understood interpretive messages. The Godwin-Ternbach Museum, Queens College, presents HUMAN|Nature: Portraits from the Permanent Collection.
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Texts and Commentary 1 Texts Perpendicular to the Fibers 2 Fragments Parallel to Fibers. These environments will be complemented by photographs, video projection and sound recordings as well as interpretive texts that will examine the technologies, symbolism, and historical significance of the materials. The Innovator's Dilemma. New Aramaic Papyri from Elephantine in Berlin. To learn more about Tribute in Light, please click here. But side by side with these buoyant images of are those of economic hardship and deprivation, the inevitable consequences of the Great Depression. June 18 – August 4, 2005. Upstairs, the exhibition will include visual panels and texts providing evidence of how waves of migrations of people in and out of New York City have shaped the current landscape of not only dance and art, but also the demography of the city and its thriving economy. Many articulated their strategies in surprising detail.
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Christensen's innovation theory (1997) offers a way to understand these findings. Selection was made of works dating from the early Renaissance through the eighteenth century. Hand-woven textiles complemented by featherwork, metalwork, wood and ceramic objects represent the major form of art, communication and history of Andean civilization from the early Chavín and Paracas cultures (ca. Unknown to the world, many papyri fragments from those excavations remained uncatalogued in the Berlin Museum. WORKING THROUGH THE GREAT DEPRESSION: Prints from the New York Regional Graphics Division of the Works Progress Administration, Federal Art Project in the Godwin-Ternbach Museum Collection. Consulted January 18, 2016. March 19 – April 13, 1962. Published February 1, 2015. An exciting exhibition of Haitian Art to be shown at schools in Queens as well as in the Corridor Gallery at the School of Education, Queens College. On the flip side, occasional and first-time guide takers have fewer preconceptions and are open to new formats. The irony is that all of the contributors were hand-picked by the curator because of their knowledge and expertise. Museum device with supplementary commentary on the gospel of john. ANCIENT AND ISLAMIC ART: Selections from the Godwin-Ternbach Museum. Judith BERNSTEIN, Arthur COHEN, Nancy COHEN, Maureen CONNOR, Susan Spencer CROWE, Christopher DARLING, Laura DODSON, Glenn GOLDBERG, Tony GONZALEZ, Matt GRECO, Sinying HO, Diane KAROL, James LEE, Deborah MESA-PELLY, Nathaniel LIEB, Tommy MINTZ, Tyrone MITCHELL, Matt NOLEN, Debra PRIESTLY, Gregory SHOLETTE, Suzy SURECK.
By looking at representations of animals in different styles of art, students were introduced to art history—art across time and from cultures all over the world. "Disruptive Technologies: A credible thread to leading programs in continuing medical education? Museum device with commentary. " At times you cannot read, so it is nice to stand back and listen to something, especially when the gallery gets crowded. This second installation reintroducing the Museum's collections includes highlights of sculpture, decorative arts, paintings, drawings and prints, from the 15th century to modern times; and art and artifacts of African, Asian, and Native American Northwest Coast cultures. Visitors went on to articulate the strategies they used to combine listening, reading, and looking. Part II: Renaissance to Modern Art. He defines two types of innovation: sustaining and disruptive.
I went through sequentially, I tended to wander while listening and just absorb and then go back and read later on. MANSHENG WANG: Art and Artlessness. The length of the comments was good. Climate Policy covers the following topics: - Adaptation, mitigation, governance, and negotiations. Defining Beauty: The body in ancient Greek art was sponsored by Julius Baer, with additional support from generous friends of the Museum. Introduction Part I: The History of Aramaic Papyri from Elephantine Held in Berlin Part II: Placing Fragments. Economic, social and political issues at stake in responding to climate change. Various categories of textiles include hand-woven carpets, kilims (flat tapestry-woven rugs), cicims (embroidered flat-weave rugs), and yataks (flat-woven bed coverings), as well as woven and embroidered accessories like pouches, saddlebags, pillow covers, bedding and hangings for nomadic travel and tents and for settled life. Defining beauty had only twelve stops because production costs for conversation were high. Timothy G., Author at - Page 14456 of 21598. Yielded the most interesting responses. Visitors used complex strategies to navigate this landscape. I like it better this way, not many are like that. I could speculate, too.
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All versions were delivered on the same software and hardware. There is a strong case for why information should be repeated across channels: to ease crowding and provide equal access to all. Funding for the exhibition has been made possible, in part, by the Office of the President of Queens College, the Michael Harrington Center, the Kupferberg Center for the Visual and Performing Arts, the New York City Department of Cultural Affairs, and the Friends of the Godwin-Ternbach Museum. Curated by Diane Kelder, Professor Emerita, Art History, The Graduate Center, CUNY. Visitors did not question their professional pedigrees and most found their commentaries insightful: "I liked hearing an actual sculptor talking, this made me look differently at things and understand things that would be difficult to imagine. " This presentation of PASSAGES: Sculpture by Liu Shiming at the Godwin-Ternbach Museum represents the first collaboration with Macaulay Honors College (CUNY), Liu Shiming Art Foundation, theBlanc Art Space, and Liu Shiming Sculpture Museum. The display includes works by teachers and students of India's Pardada Pardadi Education Society, dedicated to the empowerment of rural village girls; Faith Ringgold's "Peace Story Quilts" based on reaction of children to 9/11; quilts from upstate New York's Omega Institute for Holistic Studies and Eleanor Roosevelt Community Center for Girls; and quilts by QC Art Education students. Through their uniquely individual yet universal artworks, Amore and Jakobsberg explore themes of immigration, family, and history, and confront the highly charged subjects of personal and group cultural memory. So much of what we know of South Africa is filtered through the often sensational news media. These materials offer firsthand accounts of the fight for social justice by Queens College students and faculty. Proof of ownership, in Monopoly NYT Crossword Clue. POSTERS AS HISTORY: Teaching with Primary Sources. The Portland study demonstrated conversation's potential to draw visitors in: "[Some] remarked on the informality of the interactions and articulated the ways that informality and the back and forth, made them feel included…" None of the forty-five visitors we interviewed in Defining beauty expressed this.
Getting There: Works by Andrew Ellis Johnson and Susanne Slavick, is an exhibition of equally poetic and harrowing works by Carnegie Mellon University professors Andrew Ellis Johnson and Susanne Slavick. The multi-generational artists included in Understatements propose a daily practice of intimate gestures that light new entry points into and exits out of the long shadow of Asian American identity. There was not anything more than I could have read. The Center for Jewish Studies. I prefer an expert—knowing for sure that something is something. NEXT GENERATION: Emerging Photographers from South Africa. "Innovate or stagnate: Disrupting the conventional audio guide. " Organized by museum director and curator Amy Winter, QC Secondary Education professor Michael Krasner (Political Science) and Jack Zevin (Secondary Education), and Townsend Harris High School (THHS) Assistant Principal Susan Getting, the exhibition was curated by 300 THHS honors students, who researched and wrote didactic and creative texts about the posters.
REMEMBER THIS: A 9/11 Twenty-Year Anniversary Memorial. YEAR OF SOUTH AFRICA: The Collection of Violet and Les Payne. The exhibition is accompanied by two photo-based books and "voice-text" panels with statements by the photographed subjects. Waging Peace is an interactive exhibition organized by the American Friends Service Committee. Since its founding over fifteen years ago, the Society has exhibited in East Asia, Europe, and North America and has grown to include artists from China, France, Italy, Japan, Korea, Romania, Switzerland, Taiwan, and the United States. Inspired by Bell's (2002) description of museum as cultural ecology, our findings led us to consider the exhibition as an interpretive ecology where visitors interact with different modes of information.
Since Atelier 17 was established in New York in the 1930's under the direction of Stanley W. Hayter, the growth of interest in the art of intaglio has been progressively increasing. By displaying photographs of women who occupy "reviled categories" – women too young, too poor, too gay, too disabled, too foreign, to be "legitimate mothers" – these images show women being mothers, with strength, dignity and determination, to stimulate new thinking about motherhood, public policy, media, and politics. Man was chosen as the major theme because visitors will, as a rule, most easily apprehend style, quality and expression in a human head or figure. The audio guide was OK… It had the right number of items and good explanations. And it was a bit different, and I enjoyed that. It had only seven stops, even though the total length of recorded commentary was the same as the object guide. Parker's talents also extend into the realms of painting, printmaking, mixed media and installation art. Images of the 60 exhibition objects as well as essays on The Daghlian Collection of Chinese Art can be seen at. Our sample size was smaller (forty-five versus one hundred in the Portland study), but we had a higher percentage of visitors—nine of ten in the first version of the guide—who expressed these concerns. Pop art revolutionized American art and triggered a subculture all its own whose impact is still felt today in society's veneration of celebrity and extreme consumerism.