After a suicidal teenage girl gives birth, she misguidedly entrusts her baby's safety to the troubled, deadbeat father. DCP, 35 mm, 16 mm, Blu-ray, DVD. BILL CHARLAP TRIO (Tuesday through Oct. 16) Bright and breezy yet unfailingly precise, Mr. Charlap, the pianist, has come to exemplify jazz's modern mainstream.
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Thursday at 8 p. m., Southpaw, 125 Fifth Avenue, near Sterling Place, Park Slope, Brooklyn, (718)230-0236; $14. Go to previous offer. Mizoguchi's film is an uncompromising look at the forces that keep many women at the bottom rung of the social ladder. Larson creates rich color photographs of forest interiors and rooms in an abandoned psychiatric asylum in which wisps of smoke or mist suggest spiritual presences. Prey for the devil showtimes near clinton 8 théâtre de paris. There, the quartet face a massive group of fighters and are joined by a band of Buddhist monks surprisingly skilled in the art of battle. Hosted by Marla Darling and Sonnei Verbena. Golden, 252 West 45th Street, (212)239-6200. Unfortunately, the book fails to capitalize on these strengths, instead presenting a trite fable about a young rock singer seduced by celebrity, with cardboard characters, despite the actors' best efforts to give them dimension. Godzilla faces off against the benevolent insect monster-god Mothra in this clash of the titans, a crossover battle between two of Toho Studios' most popular monsters—the last in which Godzilla would figure as a malevolent villain rather than a fearsome hero.
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ELECTRIC SIX, MORNINGWOOD (Tonight) Detroit's Electric Six plays manic garage rock that surges with disco-punk. New Restoration · Q&A with Balufu Bakupa-Kanyinda. World Premiere · Q&A with James Ivory and Giles Gardner on Oct. 7. Howard Greenberg, 41 East 57th Street, (212)334-0010, through Oct. 22. Hiroshi Teshigahara.
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But despite resonant baritone vocals that conjure Joy Division gloom, it is a groovy pop band at heart. For those unable to attend, video from these events will be available online on Film at Lincoln Center's YouTube channel at a later date. Interactive events, industry collaborations, and one-of-a-kind experiences. The program features arrangements of familiar works like Ravel's "Tzigane" contrasted with Asian-tinged music and Indian ragas, for which Mr. Hope will be accompanied by Shyam Mohan on tabla and Gaurav Mazumdar on sitar. Prey for the devil showtimes near clinton 8 theatre cec theatres. Barrow Street Theater, 27 Barrow Street, Greenwich Village, (212)239-6200. 7:30 p. m., the Japan Society, 333 East 47th Street, Manhattan, (212)752-3015, ; $35. She meets a sportswriter, and the two develop an unlikely relationship.
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In Luchino Visconti's exquisite Dostoyevsky adaptation, Marcello Mastroianni is a lonely city transplant and Maria Schell is a sheltered girl haunted by a lover's promise who meet by chance on a canal bridge and begin a tentative romance that entangles them in a web of longing and self-delusion. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city's poor and sick. Brooklyn Academy of Music, Harvey Theater, 651 Fulton Street, Fort Greene, (718)636-4100. M., S. 's, 204 Varick Street, at Houston Street, South Village, (212)243-4940;$23. Told through the eyes of François Truffaut's cinematic counterpart, Antoine Doinel, The 400 Blows sensitively re-creates the trials of Truffaut's own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. KO MUROBUSHI & EDGE (Thursday through Saturday) Mr. Prey for the devil showtimes near clinton 8 theatre.fr. Murobushi, a disciple of the Butoh pioneer Tatsumi Hijikata, continues his master's dark legacy with a piece oddly redolent of spring, "Handsome Blue Sky (Bibo No Aozora). " This concert addresses that oversight by enlisting Mr. Lacy's peers and inheritors -- like the trombonist Roswell Rudd, the saxophonists David Liebman and Joe Lovano, and the clarinetist Don Byron -- to interpret his works. Soon enough he tracks down its lovely owner and finds himself smitten. Aided by the marvelous, impressionist-styled images of cinematographer Nestor Almendros and a swooning score by Georges Delerue, François Truffaut transforms his second adaptation of a novel by Henri-Pierre Roché (author of Jules and Jim) into an overwhelming sensory experience. 'BELLY OF A DRUNKEN PIANO' In this splendidly imperfect cabaret, Stewart D'Arrietta howls and growls convincingly through Tom Waits's three-decade song catalogue, backed by a snappy trio. Q&As with Gustavo Vinagre on Oct. 13 & 14. 'REBEL WITHOUT A CAUSE' Opens Thursday.
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This unique love story follows the maneuverings of a society lady as she connives to initiate a scandalous affair between her aristocratic ex-lover and a prostitute. The show soars only in the sweetly bitter songs performed by the wonderful Victoria Clark, as an American abroad (2:15). A highly unconventional romance that came on the spike heels of Almodóvar's international sensation Women on the Verge of a Nervous Breakdown, this is a splashy, sexy central work in the career of one of the world's most beloved and provocative auteurs. In his one-of-a-kind fiction/documentary hybrid _Symbiopsychotaxiplasm Take One_, director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making. A rival establishment moves to pay those debts and free the peasants, but this second house's seemingly altruistic boss is actually laying the groundwork for a ruthless money-grabbing scheme. Premiere · Q&As with Cristian Mungiu on Oct. 9 & 10. FOREVER GARBO: A RETROSPECTIVE (Through Dec. 17) The American-Scandinavian Foundation's program honoring Greta Garbo's centennial continues tomorrow with "Ninotchka" (1939), about a stern Russian woman who softens in Paris, and on Wednesday with the silent "Flesh and the Devil" (1927), about a ruthless temptress and the man whose life she seems destined to ruin (John Gilbert). Reading Cinemas & Consolidated Theaters. Susanne (Eva Dahlbeck), head of a modeling agency, takes her protégée Doris (Harriet Andersson) to a fashion show in Gothenburg, where Susanne makes contact with a former lover, and Doris finds herself pursued by a married dignitary (Gunnar Björnstrand). It may not be all that enlightening, but as an artist's personal survey, it comes off.
The hungry stomp of her power trio, Heartless Bastards, is heavy enough for classic rockers and post-ironic enough for hipsters looking for bar band sincerity. The American dream has rarely seemed so far away as in Sean Baker and Shih-Ching Tsou's raw, vérité Take Out, an immersion in the life of an undocumented Chinese immigrant struggling to get by on the margins of post-9/11 New York City. When the crime lord tries to possess the woman along with the cash, the blind swordsman wrestles with the injustice he has caused. M., Rose Theater, Broadway at 60th Street, (212)721-6500; $30 to $65.
But rather than become a victim, she forges a path to her own awakening. An international sensation upon its release, _Under the Roofs of Paris_ is an exhilarating celebration of filmmaking. Wednesday through Saturday at 8 p. m., Sunday at 2 p. and 7:30 p. m., the Joyce Theater, 175 Eighth Avenue, at 19th Street, Chelsea, (212)242-0800; $38. Consisting mostly of drawings, photographs and films (he didn't make that many sculptures, not ones that could fit into a museum, anyway), this is the first full-scale overview of him in the country.
George Bernard Shaw's breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion's paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. There, he befriends a young woman whose father has gone missing; as he tries to help her find him, he becomes entangled in a web of corruption and a series of tragic twists of fate. Hired by a yakuza boss to eliminate an accused debtor, Zatoichi fulfills his task, only to witness the victim's sister paying the owed amount minutes later. In this staggering work of existential science fiction, Okuyama (Tatsuya Nakadai), after being burned and disfigured in an industrial accident and estranged from his family and friends, agrees to his psychiatrist's radical experiment: a face transplant, created from the mold of a stranger. Häxan_ is a witches' brew of the scary, gross, and darkly humorous. In the final Lone Wolf and Cub film, star Tomisaburo Wakayama decided to make the sort of wild movie he'd always wanted to: one in which Lone Wolf battles zombies and Daigoro's baby cart zips improbably across an icy landscape on skis. Premiere · Q&As with Véréna Paravel and Lucien Castaing-Taylor on Oct. 2 & 3. City Base Entertainment. LAURA LARSON: 'APPARITION' For mysterious reasons, a lot of people these days are interested in photography of the supernatural. The supernova star power of Hong Kong cinema icons Maggie Cheung, Michelle Yeoh, and Anita Mui propels this gloriously unrestrained action extravaganza from genre maestro Johnnie To, which injects its martial-arts mayhem with a blast of comic-book lunacy. In Fellini's semiautobiographical masterpiece, five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. BEBEL GILBERTO (Tonight through Sunday night) Bebel Gilberto, the daughter of the bossa nova singer João Gilberto, updates bossa nova with touches of electronics and substitutes her own ebullience for her father's preternatural coolness. With a lovely score from composer Manuel de Sica, this grand yet intimate work is a storybook conjuring of a way of life and thought. Angel_ beautifully captures the color and power of the New Zealand landscape.